On Wednesday the Ian Visits website celebrated its 20th birthday, an exceptional milestone. I say that having got there myself, but whereas I generally write one post a day Ian writes half a dozen, an exceptional output. His posts are generally "a mixture of transport, architecture, history, exhibitions and things to do around London", so he says, and his What's On list is a famously good digest of things actually worth visiting rather than overhyped brand opportunities. If you're reading this blog you probably ought to be reading his, not just for news on 5G tube rollout and HS2 updates but also gaslit streets, historical alleyways, upcoming lectures and new openings in zone 5. It is, in case you hadn't realised, a phenomenal amount of work.
To give you some idea of how much work it is I've been out to visit every story Ian Visits visited on Ian Visits' birthday. That's all six of Wednesday's articles and, because the day's first post was actually about the 20th birthday, also the first of Thursday's too. All in all it took me over three hours to get round the seven sites, during which time I rode six trains, caught five buses and walked five miles. I'm not saying Ian visited all of these places in a similar time, nor needed to, but imagine keeping up that level of content generation throughout the week.
And here it is, a somewhat sad looking hunk of rock on the Locksley estate in Limehouse. It would have been fun to use when surrounded by sand and undamaged, whereas chunks of the 1958 stone have since broken off and the whole thing's been hemmed inside railings for health and safety reasons. That said the gate in the railings was unlocked so I was able to go inside anyway, watched by a mystified council operative taking a break from sweeping leaves. The cleverest part, I reckoned, was that the knees make a tiny slide. So hurrah that the Heritage of London Trust are helping to restore Trevor Tennant's sculpture, a reminder that play equipment can be inspiring rather just a few bland rocks and pipes. And hurrah to everyone concerned for firing out a press release about a clamberable Gulliver on the 300th anniversary of the publication of Gulliver's Travels, all very Lilliputian.
The date for the reopening of the Museum of London under its new name on a new site is Saturday 28th November 2026, or one month from now (or four weeks given it's no longer Wednesday). The new building is the former Smithfield Market, or at least some of it, starting with the former Victorian General Market. It'll be packed with exhibits across three themes - Real Time, Our Time and Past Time - which Ian can tell you more about, while a separate paid-exhibition space will open in the former Poultry Market in 2028. Ian is right that the new museum now has a sign in place on its roof facing Farringdon Road. I spotted another LONDON MUSEUM sign up a sidestreet above what I presume will be the main entrance, covering what used to be West Poultry Avenue, and maybe don't put 28th November in your diary because I expect Day 1 to be ridiculously busy.
The Barbican Conservatory is a fabulous green space, London's second largest glasshouse after Kew, and home to over 1500 species of tropical plants and trees. It's closing until 2030 so the interior can be refurbished and renewed, a mighty project which means a lot of the existing greenery will just get in the way. They're thus giving away thousands of cuttings to anyone who wants one and is successful in a ballot, details of which Ian can tell you. Walking past yesterday I saw lots and lots of cuttings on tables just inside a steamy window, all carefully labelled, so for example I can tell you they have 39 Tradescantia pallida ready to go. If alternatively you just want a look inside before closure, the next bookable slots are on Friday 13th and Sunday 15th November.
» For more on the Barbican Conservatory giveaway see the Ian Visits website
If you can't get tickets for the Bayeux Tapestry why not jump ahead five centuries and see some Italian woodcuts. They're free to view and they're in Room 90, which is just behind Egypt and directly under Japan. Because woodcuts are inkprints a lot of them survive, unlike the wooden blocks they made them with (although apparently Francesco Denanto's Circumcision survives in Modena). These intricate images are invariably Biblical in nature, given pretty much no other book had captured the Renaissance zeitgeist, so expect a lot of pious Jesuses, angsty disciples, Old Testament setpieces and naked helldemons. Many of the black and white tableaux tell a good story, also it's refreshing to see what are essentially intricate cartoons, also how often do you get to see a caseful of Titians for nothing? Here until 21st March.
» For more on the Italian Renaissance woodcuts exhibition see the Ian Visits website
As painfully slow building projects go, JP Morgan's new Thamesside HQ is painfully slower than most. They bought the site by Canary Wharf Pier in 2008 and since then nothing whatsoever's gone up bar some foundations and a few metal poles. Now finally a planning application for a new tower's gone in, which includes news that they want to cover the ramp down from Westferry Circus with a park. It means bank employees could leave the building and walk to nearby stations with ease, but would also consign through traffic to the lower roundabout (and seemingly scupper the D8 bus). It's a novel eco-friendly idea but intrusive, and I suspect most drivers would be happier to see the JP Morgan site left empty for another 18 years.
» For more on the Westferry Circus planning application see the Ian Visits website
I've lost count of the number of times someone's claimed a Bakerloo line extension might be closer to completion, the stumbling block invariably being money. Now the Mayor finally has some financial certainty, maybe, as a move in Wednesday's Budget promised that regional Mayors would be permitted to borrow funds balanced against future tax revenues. The Bakerloo line extension even got a namecheck in the Chancellor's speech as an example of a project that might benefit. The tax change would happen gradually from 2027, so don't expect brown trains rumbling under the Old Kent Road before 2040 at the earliest, but it never hurts to stand wistfully at the tunnel mouth at Elephant & Castle and imagine how simple it might be to get to Lewisham.
» For more on transport projects potentially now deliverable see the Ian Visits website
The thing about the Ian Visits website is that he knows about new things nobody else has even noticed yet, like this micro-museum devoted to the Great Fire of London at the foot of the Monument. It really isn't huge, there's only capacity for 8 people, also as Ian points out it has a ridiculously extensive health and safety list by the entrance (the subheadings are Participate At Your Own Risk, Consult A Doctor, Epilepsy Warning and Claustrophobia Warning). Apparently what's inside is a five-minute animated film, also red walls, historic illustrations and an illuminated display of stylised flames, but you'll have to take Ian's word on that. Alas when I got there yesterday a workman was standing by the door while his colleague did some noisy maintenance inside, and his comment "it should be open again this afternoon" wasn't reassuring enough for me to come back. Hopefully your fiery visit will have better luck.
» For more on the Monument Micro Museum (and every other key London story going forward) see the Ian Visits website
